Our trickle of applications became a flood towards the deadline on Friday – we are no longer accepting applications from Participants. Observers have until July 8, but accommodation in particular is filling up fast so if you want to stay with us for the week then get in touch sooner rather than later to avoid disappointment.
We have more news about the Pre-Festival events including the Scenic Piano Recital on 30 July. Elisabeth Eschwé’s intriguing recital will tell of Robert Schumann and his love for, and eventual marriage, to Clara Wieck. The evening includes Schumann’s Impromptus Op. 5 on a theme by Clara Wieck (with a reading about his prior engagement to Ernestine von Fricken) and Carnaval Op 9 (with their first kiss). The evening will end with parts of the Fantasiestücke Op 12, with readings about the court case and their relief as they were finally married. This beautiful and dramatic story will be brought to life in the Jacqueline du Pré Music Building on the evening before the full Festival begins with our Trio Class.
Plenty of people have shown an interest in the private lessons being offered on the 30 July. At the moment we are very busy working through the applications for participants, but I will be in touch with the people who have already contacted us this week. The teachers we have booked so far are regular Piano Festival professors Marios Papadopoulos and Niel Immelman. Additional teachers will be selected from the roster of talent at the Royal College of Music, the Royal Academy of Music and the Guildhall. Do let us know if you would like to take part in this new venture, and also if you have any ideas for Stephen Hough’s open class on the Pedagogy Day.
As always, get in touch with me (Rachel) if you need any more information about any aspect of the Piano Festival.
Posts Tagged ‘concerts’
Piano Festival – May update
Monday, May 9th, 2011“Truly, this was the Son of God”
Wednesday, May 4th, 2011I was rather taken aback when I read the title in our brochure describing our concert of Bach’s St Matthew’s Passion: “Truly, this was the Son of God”. The reference to Matthew 15:39 stuck in my mind as I stood in front of the Oxford Philomusica and Oxford Bach Choir to conduct, for the first time in my life, Bach’s masterpiece. Whenever I hear divine music it is as if I hear the voice of God. On this occasion the allusion to the Son of God seemed to me to refer not only to Jesus Christ, but also to Bach himself. For are we not all children of God and doesn’t He speak through us and those whose earthly creations touch our hearts and souls and are often described as divine and miraculous?
Marios Papadopoulos
OXFORD TIMES: Preview of Oxford Philomusica at Aylesbury Waterside Theatre
Thursday, March 3rd, 2011On Friday, March 11, the Oxford Philomusica goes east. Not quite as far as Singapore or Tokyo, but to Aylesbury, where the orchestra will give its first concert in the town’s new Waterside Theatre.
“We’re extremely excited to be appointed Orchestra in Association at the Waterside, so we’re the resident orchestra,” the Philomusica’s founder and music director Marios Papadopoulos told me. “Our involvement extends beyond the concert platform; we’re planning some exciting educational activity — next week’s concert will be preceded by a workshop.”
Although this is the Philomusica’s first concert at the Waterside, it’s not their first visit, Papadopoulos explained. (more…)
International Piano Festival and Summer Academy
Wednesday, March 17th, 2010The Philomusica’s International Piano Festival and Summer Academy has long since become a landmark feature of Oxford’s summer musical life and the 12th festival, 1st – 8th August, looks set to meet all of the highest expectations. Six concerts and more than 50 hours of public master classes feature some of the world’s most celebrated pianists. The anniversaries of Schumann and Chopin are naturally extensively acknowledged in the concert programme.





