Malcolm Arnold Academy

May 17th, 2012

 

Continuing our relationship with the Malcolm Arnold Academy in Northampton, a group of our players, led by Jamie Hutchinson, visited the school in March to work with a selection of year 7 and 8 students. The morning was spent rehearsing and performing some sections from Vivaldi’s Four Seasons which had been specially arranged by Rachel Lockwood.

Students without instruments worked on creating lyrics that reflected the music and the entire performance was brought together and recorded for a future showing at assembly. The afternoon featured a lecture-recital given by the players who performed music such as Saint-Saëns’ Carnival of the Animals and Dance Macabre as well as more up-to-date hits such as the theme from Harry Potter. There were games and quizzes throughout the afternoon, all of which were designed to get the students thinking about how music can represent anything from animals to the weather to Satan himself!

Michelle Reading, the school’s new Head of Music commented: ‘The day was a wonderful opportunity for our students to work with professional musicians, who supported them brilliantly with the music that had been written especially for them. It was a very productive and exciting day that we look forward to repeating in the future.’

New Corporate Member: Bang & Olufsen of Oxford

April 27th, 2012

We welcome our latest corporate member, Bang & Olufsen of Oxford. Founded in 1925 in Struer, Denmark, Bang & Olufsen is world renowned for its distinctive range of quality audio, video and multimedia products.

The showroom in Summertown, Oxford has been the home of Bang & Olufsen in the region for many years and has the full compliment of Bang & Olufsen products to be experienced and enjoyed in comfortable surroundings. Showroom Manager Mark James commented, ‘We are delighted to be involved with OP and very excited to be associated with both the Maison Française chamber concert series and the Benjamin Grosvenor concert at the Sheldonian. Many of our regular customers are supporters of OP so we were keen to be involved and share our passion for music’.

Bang & Olufsen are also contributing a prize to our fundrasing auction at the Royal Opera House on 20 May. Bang & Olufsen has a fantastic heritage and reputation for producing the world’s finest acoustic products and thus is a fitting partner for Oxford Philomusica.

PLAYER PROFILE Carmine Lauri

April 11th, 2012

Carmine Lauri was brought up in Paola, Malta, and, inspired by his uncle, started playing the violin at the age of 4. At the age of 17, he was awarded the Associated Board scholarship to further his studies at the Royal Academy of Music with Maurice Hasson. Since graduating, Carmine’s solo performances have included numerous recitals and concertos in Malta and abroad. In 2010, he was appointed Concertmaster of Oxford Philomusica and shares this position with Natalia Lomeiko and Tamás András. He is also co-leader of the London Symphony Orchestra. Carmine is regularly invited to judge final rounds of music competitions and to coach advanced students at the Royal Academy of Music and the Guildhall School of Music and Drama. Recently Carmine’s distinguished talents were acknowledged by his country which bestowed upon him the National Order of Merit – M.O.M.

Carmine feels that the individual contribution of the great number of esteemed selective chamber musicians and soloists that make up the Oxford Philomusica is invaluable in making it a very high calibre orchestra. He has also described the Philomusica’s audiences as exquisite – extremely supportive and constantly eager to honour each concert with their presence in such an astonishing venue as the Sheldonian Theatre. He enjoys the fact that the Orchestra is surrounded from almost every angle by its audience and finds this a unique feature for both performers and audience.

If Carmine were not a violinist, he believes that he would have taken up engineering as a line of expertise instead, as his love for electronics has been a parallel track to his love of music and he regularly does his own repairs and assists his colleagues with their electronic gadgets’ issues. The most important bit of advice he would give to young, aspiring musicians today is: never get tired of listening to music!

STAFF UPDATE: Rachel Murphy

April 2nd, 2012

Beginning a new job is usually a nerve wracking experience, but joining the Oxford Philomusica at the height of Lang Lang fever left no time for any such anxieties to take hold! Working at both the Lang Lang concert and masterclass gave me a fantastic introduction to the operation of the Oxford Philomusica and I felt hugely privileged to be joining the team at such an exciting time for the orchestra.

As box office coordinator, I thoroughly enjoy speaking with and meeting our audience members and Friends and Patrons of the Orchestra – I look forward to helping many more of you with your bookings in the future. Another of my key responsibilities here is organising children’s activities to accompany out Children for £1 and FUNomusica concerts. I have to say that this is something I particularly enjoy getting stuck into as I am somewhat of a big kid at heart!

Before joining the Oxford Philomusica team I worked as an intern in the Faculties Office at the Royal College of Music, having previously graduated from Goldsmiths University with a music degree. As a soprano I regularly perform as a soloist, and as part of an ensemble in various venues across London and the South East. When I am not immersed in the musical world I enjoy wandering around Colombia Road Flower Market, eating picnics in the various parks of London, making home-made pizzas and trying to ride my housemate’s bicycle.

OXFORD TIMES REVIEW: Oxford Philomusica and Natalie Clein: Sheldonain Theatre

March 29th, 2012

As soon as Natalie Clein steps out, cello in hand, you sense that you are in for a memorable performance. The clues are all there in the purposeful walk and the dreamy, slightly distant look on her face that tells you she is already immersed in the music, before she plays a note. And so it was last Friday at the Sheldonian, when she took centre stage for Saint-Saens’ Cello Concerto No.1.

This was a captivating performance of a gloriously playful piece that carries the listener along on a melodic and emotional rollercoaster, from the jaunty opening to the eloquence of the second movement minuet, with a persistent yearning threading its way throughout. This was a piece perfectly suited to showcasing Clein’s immense musicality and virtuosity, and she effortlessly held the audience in her thrall from the moment she drew her bow across the strings. There was some solid support from the orchestra, under Marios Papadopoulos’s expressive direction, but this was very much Clein’s show, and she was obliged to give an encore before the audience finally let her go.

Elsewhere, there was the opportunity to hear the world premiere of City of Trees by Chris Ferebee, written during the Philomusica’s 2011 Composers’ Workshop. The piece is a musical recreation of Ferebee’s native town of Atlanta, and the town of his alma mater, Durham, and is atmospheric rather than melodic, but with some very lovely moments, particularly for the violins.

Bringing the programme to a rousing close was Tchaikovsky’s emotional fourth symphony, in which the human spirit battles with fate, the two constantly interweaving powerfully and restlessly until the human spirit finally triumphs.

There were impressive contributions from all sections of the orchestra, with some particularly scene-stealing moments from the woodwind and brass, some wonderfully light and well-sustained pizzicato from the strings in the Scherzo movement, and a gloriously full-blooded, stirring finale. This was the Philomusica at its magnificent best.

Nicola Lisle

 

GLOUCESTERSHIRE ECHO CONCERT REVIEW: Cheltenham Town Hall, 25 March 2012

March 28th, 2012

A perfect match for Philomusica

[Cheltenham] town was invaded by Oxford at the weekend, with Oxford United playing at Whaddon Road and Oxford Philomusica at the Town Hall.

I was expecting the Philomusica to be of a modest size, but it turned out to be a fully-fledged symphony orchestra making possibly only its second visit to Cheltenham under its founder and music director Marios Papadopoulos.

The opening work, Prokofiev’s Classical Symphony, was a trifle disappointing. It didn’t sound sufficiently classical, and the outer movements were taken at too brisk a pace, Only in the Larghetto did I sense the Haydnesque touch Prokofiev was seeking.

But when Natalie Clein appeared on stage with her cello the atmosphere moved up several notches. She is a passionate and committed player, and Saint-Saens’ dazzling First Cello Concerto seemed tailor-made for her.

She tore into the swirling opening theme, ably abetted by the orchestra, before giving a deeply moving account of the more lyrical second subject.

There was some delicate orchestral playing in the dainty minuet and excellent rapport between soloist and orchestra in the finale. Natalie followed this with a gentle encore: Song of the Birds by Pablo Casals.

There is nothing gentle about the opening to Tchaikovsky’s Fourth Symphony. The brass blasted out the Fate motif and from then on the audience was taken on a roller coaster musical ride.

Yet there were also moments of quiet reflection: an Andantino full of nostalgia and a Scherzo marked by superb pizzicato playing.

Mario Papadopolous, conducting without a score, skilfully built up the tension from quiet beginnings to furious climaxes but never sacrificing clarity for the sake of effect.

While in no position to comment on Oxford United’s playing, after hearing such a magnificent performance of Tchaikovsky I would certainly regard Oxford Philomusica as Premier League – and its brass section as world class.

Roger Jones

Rachel Lockwood: inspiration behind ‘Dying Fall’

March 8th, 2012

World premieres are always special occasions, but the recent performance of Rachel Lockwood’s Piano Quintet, Dying Fall, at the T S Eliot Theatre, Merton College, was particularly so. Not only is Rachel an extremely talented young composer, she is also an integral part of the Oxford Philomusica team. Having graduated from Oxford University and then completed a postgraduate diploma at the Royal Northern College of Music, Rachel now combines a thriving composing career with her role as Orchestral Personnel Officer.

This was Rachel’s second composition to be premiered by OP. Fantasia on a Schubert Moment was the first piece in June 2006 while Rachel was a still an undergraduate. Dying Fall was inspired by Rachel’s personal memories, and by T S Eliot’s poetic line: Among the smoke and fog of a December afternoon…

‘One enduring memory of my first year at university’, Rachel says, ‘was of a series of freezing mists, which muffled the City. Reading Prufrock and Other Observations (Eliot, 1920), seeking inspiration for a composition, something about this opening line in Portrait of a Lady chimed with my experiences. Although unhappy in many ways the poem is not cheerless. I attempt to capture this bleak but not hopeless mood in my work’.

Another rapidly rising young musician, Ceri Owen, was the pianist for this premiere, and also for Vaughan Williams’ rarely heard early chamber work, Piano Quintet in C minor, written in 1903 but only recently revived. Reaching back across the years the programme concluded with Schubert’s Piano Quintet in A major, The Trout, with Oxford Philomusica’s Director Marios Papadopoulos taking the keyboard.

The concert was generously sponsored by Elizabeth and David Ure and Celia and Andrew Curran

OXFORD TIMES REVIEW: Lang Lang and the Oxford Philomusica at the Sheldonian Theatre

February 23rd, 2012

Pianists don’t come with much more of a stellar reputation than Lang Lang, so it was hardly surprising that his appearance with the Oxford Philomusica was greeted by a full house. I was told before the concert began that the rehearsal had gone exceptionally well, but even so I was unprepared for the electric level of communication that had obviously been established between soloist and orchestra.

The work was that hoary old warhorse, Tchaikovsky’s First Piano Concerto. It’s the sort of piece that can all too easily engender a feeling of “Oh, that again” among audiences and players alike. But not here. The colossally confident opening bars were played by a colossally confident soloist, yet Lang Lang simultaneously conveyed the feeling that he was discovering the music with great pleasure for the first time. A key point was quickly made too: the work may be in a minor key, but it looks optimistically outwards, it isn’t full of anguish.

As the first movement progressed, sudden bursts of energy shot out from the piano and into the orchestra. The slow movement was dreamily melodic, with silky string playing supporting the soloist, while the finale’s strong affinity to Tchaikovsky’s great ballet scores was clearly demonstrated. The performance was greeted by a standing ovation.

I mean no disrespect when I say that conductor Marios Papadopoulos only needed to remain in the background during the Tchaikovsky, but he was very much to the fore during the first half of the concert, when he directed a performance of Dvorak’s New World Symphony from memory. This was a muscular interpretation, characterised by powerfully raw brass playing and alert reactions from the strings. There was good woodwind work too, and winning cor anglais solos from Rachel Ingleton. If Papadopoulos didn’t quite achieve a feeling of wide open American spaces, that was no doubt due to the comparatively intimate nature of the Sheldonian auditorium.

- Giles Woodforde

Success for Savitri in Inaugural Concerto Competition

February 10th, 2012

Nineteen year old violinist Savitri Grier is the winner of the first Concerto Competition organised by Oxford Philomusica and Oxfordshire County Council Music Service.  The final took place last Saturday at the Sheldonian Theatre in front of an audience which included the The High Sheriff of Oxfordshire, The Mayor of Banbury, The Mayor of Bicester, The Mayor of Carterton, the Chairman of Oxfordshire County Council and officials from the County Music Service and County and City Councils plus members of the public, who managed to reach the event despite the heavy snowfall that afternoon.  Each of the three candidates playing a complete concerto of their choice with Oxford Philomusica conducted by John Traill.

Savitri beat off strong competition from Emanuel Bach (2nd prize winner) and Osman Tack (3rd prize) to secure a cash award of £1000 plus an invitation to play a concerto with Oxford Philomusica in their next Sheldonian Series.  Both runners up received £300 plus £250 worth of Oxford Philomusica concert tickets, and all three were presented with their prizes by Mr David Shirley, who had generously supported the competition by contributing to the prizes.

The panel of distinguished judges – Marios Papadopoulos, the director of Oxford Philomusica and an acclaimed international pianist; Tony Mealings, the Head of Oxfordshire County Music Service; the violinist and BBC Young Musician of the Year winner, Jennifer Pike; conductor John Traill; and flautist, teacher and conductor Caroline Hobbs-Smith – were generous in their praise of all three finalists, but unanimous in awarding the first prize to Savitri.

Marios Papadopoulos commented ‘Savitri Grier played the Tchaikovsky Violin Concerto in D major which, in many ways, was a brave choice as it’s such a well known piece and all the judges would have heard great soloists play it, but we loved her performance.  It was quite superb, and I have no hesitation in inviting Savitri to play with the Oxford Philomusica in our next series’.

Savitri Grier (19) took up her first violin aged 4, and then attended the Junior Royal Academy of Music for 10 years. She has already performed at Wembley Arena and the Barbican, and will make her Royal Albert Hall debut in May.  She is currently reading Music at Christ Church.

Oxford Philomusica on BBC Radio 4

December 29th, 2011

BBC Radio 4′s Today programme on Thursday 29 December 2011 was guest-edited by Oxford Philomusica’s Vice President Sir Victor Blank and featured an item about the orchestra in the context of ‘Altruism in the arts’.

BBC Radio Four stated “Today’s guest editor Sir Victor Blank also believes in philanthropy and is a strong supporter of the Oxford Philomusica orchestra, long independent of regular government funding, and sees it as a model to follow.” Music Director Marios Papadopoulos and Concert Master Natalia Lomeiko explained why the orchestra relies on sponsors and donors to survive, and Oxford Philomusica supporters Sir Anthony and Lady Kenny and Sue Ashtiany described how they feel that more can be done by individuals to support the Arts in the UK. Their comments were complemented by excerpts from Oxford Philomusica’s recent performance of Handel’s Messiah with New College Choir.

Listen to the full discussion here: http://news.bbc.co.uk/today/hi/today/newsid_9669000/9669052.stm